Jonathan King's Black Sheep

Every once in a while a film is made with a premise that’s so stupid it’s brilliant — Groundhog Day or Terminator for instance. Well step aside Bill Murray and James Cameron because a New Zealeander, Jonathan King, has just out stupided you with Black Sheep. You’ve never heard of him and neither have I. His background is in directing music videos for bands you’ve never heard of in a country I can’t find on a map. Here’s what I do know about New Zealand though:
1) They have a really good rugby team.

Gregg Araki's Mysterious Skin

If you’re a reader of this magazine (which suggests you possess a certain level of taste) and don’t know who Gregg Araki is then you need to go straight to the video store and begin your education. Responsible for such wacky, gross, sardonic, angst-ridden, beautiful and, according to me, seminal indie flicks as Nowhere and The Doom Generation (which Roger Ebert called a ‘sleazefest’ and granted zero stars), Araki has never shied away from taboo subjects.


Dear Diary,
It happened again. Bad relationships are totally my “thing.” Thank God I’m an artist and can exploit the tremors of heartache for my melancholic ballads on trysts, lisps and artless gimmicks. Next album I’m throwing in some French.


Regrettably, I didn’t ask Casey Spooner if he’s wearing a wig in the video for Fischerspooner’s “Just Let Go.” The lead track from the duo’s new album, Odyssey, is a surprisingly beefy number and the video even features humans from earth treating acoustic instruments such as the guitar and the drums with apparent expertise.

Don McKellar

Don McKellar is a busy guy. In quantity and quality, McKellar has developed an unparalleled body of work in Canadian cinema. From Roadkill and Highway 61 to The Red Violin and Last Night, McKellar has defined his career by consistently getting involved in some of the best feature films this country has ever produced.